Adeolah Entertainment has it roots in ACB Comic Books which published the ancient world adventures of Horus, Son of Osiris, a book which was later named Heru, Son of Ausar.
ACB'sACB's goal was to create great comic books as springboards into animation and film. New advancements in computer graphics now leaves the company excited by the prospect of designing and animating, in house. But who are the heroes set to blaze the company into the new millennium? The Extraordinary Grands, that's who.
An eclectic combination of the ancient and modern worlds. Kicking it old, old, really old school with a new world flavor, the Grands adventures are loaded with action, drama and exicitment.
They're here! Rejuvenated, reborn and ready to take on all comers with stories that are rich in ancient and modern influences, sprinkled with culture from the original Heru series and slightly salted with hip-hop flava the Grands are both uplifting and entertaining as chief creator, Roger Barnes continues to utilize his masters' degree in African History to write adventures that are based loosely on old Africa legends and modern comic book fun.
Adeolah Entertainment. Keep an eye out- for us.
Black superheroes were also subject to the negative perceptions of the artists drawing them at the time and therefore a parallel can be made to struggle for equality in America. Marvel’s Black Panther appeared in 1966 (Fantastic Four #52) and wouldn’t gain his own title until 11 years later (how's that for affirmative action?). Followed by DC’s Black Lightning and Marvel’s Luke Cage, poster children for the entertainment industry’s Blaxploitation of the 70’s. Where possible I have included some images from the comics themselves depicting some of these racial situations as they appeared in print. The progress of blacks in comics has an undeniable link to our society's racial issues and I ask you to keep this in mind as we delve into the offensive nature of some of the characters.
In recent years, many African American artists and comics publishers have taken it upon themselves to create and explore more black superheroes. The impact of these independent comics can’t be overlooked so I’ve included them in the museum because they are vital to bringing black superheroes to the forefront of the public eye. With many more black artists drawing, and new black superheroes being created everyday, black heroes are on the rise. Over time, their success will only help to broaden the minds of those who take the time to read and enjoy them. In conclusion, if you know artists that are creating comics, buy their books and support black superheroes!
Demond Comics is a step into the future of comic book and user interactivity. We pride ourselves on getting the user involved in the story. Demond Comics tailor our books towards anyone wanting fun and excitement no matter what color race or creed. We mostly want to entertain children but at the same time deliver great things for adults also. We are for the true comic book fans out there that want to see the future of the industry. And not like the giant fossils still producing the same stuff since the sixties. If not for a few movie the industry would still be spiraling downward because the people demand change. There are many that don’t want to see us rise to the top and for a number of reasons. But that’s not our responsibility to get them to change their ways we only want to focus on the people who love Demond comics for who we are and what we are fast becoming. The future of the comic book industry.
Father Remo Factor is a new generation of exorcist. A GenXorcist. He prowls the dark alleyways and shadowy avenues of the mysterious city called Trinity exorcising from it supernatural entities from Heaven and Hell alike. It's Father Factor charge to protect this dark and secret metropolis' horrific secret; a secret that, for the good of all Creation, no man, angel nor demon should dare be allowed to possess.
GETTOSAKE ENTERTAINMENT is a pop culture company and production studio (owned and operated by the Love Brothers) that uses animation and illustration as its primary medium. Initially launching original properties in the form of episodic animated shows for the web; properties are developed with an eye towards offline opportunities in film, print, and television. (live action or animation).
GETTOSAKE ENTERTAINMENT creates and brands unique characters, in a variety of genres, mainly featuring people of color, which can be developed as commercial products.
“Learn to Draw Comic Art” classes started in November of 2003. The classes have made a positive impact on children and youths who like to draw.
This program is a great way for children and youths to interact with one another, as well as to learn the fundamentals of comic art drawing.
The children’s ages for these classes are from 7 –12; although we have has parents who have registered children as young as 5 years of age and as old as 15 years.
All participants’ start at the same level regardless of their artistic ability. Each month there will be different levels for those returning participants.
Our “Learn to Draw Comic Art” classes are conducted throughout the Brampton Libraries from September to June each year.
Milestone Media, Inc. is a multimedia packaging and licensing company dedicated to the creative and ethnic diversification of the communications and entertainment industries. Milestone Media's initial mission was to present authentic, reality-based heroes in a multicultural enviroment. The Milestone line of comics offered a greater diversity of heroes and talent than has previously been available to comic readers. Milestone, a multimedia packager with an unprecedented publishing agreement with DC comics (one of the nations largest comic book publishers), used this innovative distribution and licensing partnership to publish gripping, reality-driven stories that reached the widest possible audience -- traditional comics buyers,and a new, much broader audience unaccustomed to reading comics.
The legend of Sun-Man Continues...
His magical melanin skin gave him unequalled, unlimited and special super strength. Sun-Man's skin could not be cut, burned, bruised, broken, pierced, stabbed, ripped or removed.
So Pig-Head the evil wart, was plotting to smoke-out Sun-Man. He wanted to see if he could weaken Sun-Man's powerful skin through the smoke from the drugs Pig-Head had just cooked up.
But Sun-Man flies free, protecting the right for the Galaxy-Trefixa to exist in peace. His rap is clear:
"Pig-Head listen, you're bad luck. You won't win, so just give up. Sun-Man is on the scene to stay. My good powers shall rule all the way!
The battle has just Begun...
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